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  • Posted on 23.07.2019

    Interview with SAA's Director: The film industry and the online market

    As a part of the International Confederation of Societies of Authors and Composers (CISAC) open online course (MOOC), Cécile Despringre, SAA Executive Director was interviewed about creators’ remuneration, collective rights management, the film industry and the online market. 

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  • Posted on 02.07.2019

    Meet our member: Kopiosto in Finland

    On 1st July, Finland takes over the Presidency of the Council of the EU. Finland is the number one happiest country in the world, has 3 million saunas (more than they have cars) and Finns are the biggest coffee drinkers in the world (12kg per person per year). Kopiosto, the Finnish copyright organisation, has actively been promoting creative works for more than 40 years, and joined the SAA as a member in 2010.

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  • Posted on 25.06.2019

    Growing awareness of culture for development

    Culture contributes to 30 million jobs worldwide and represents around 3% of the world’s GDP (UNESCO). However, we are still far from policies that put creators at the centre of our booming creative industries and that understands their full potential and value in global development and cooperation.

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  • Posted on 03.06.2019

    A not so unified Union...

    At the Cannes Film Festival more than 500 filmmakers came together, urging EU citizens to vote in the European elections. Many EU citizens did vote, in fact the turnout was 51%, the highest in 20 years.

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  • Posted on 22.05.2019

    Vote for culture - a catalyst for a better Europe

    In the coming days, through the elections, EU citizens will decide the fate of the new European Parliament. Many are pondering whom they should vote for, but culture is definitively not the decisive factor shaping public opinion.

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  • Posted on 09.05.2019

    3 ways the new European Parliament can support creators

    In a few weeks, EU citizens’ will elect a new European Parliament. Looking back, the Parliament has done a lot for directors and screenwriters in Europe, and one could ask: Is there anything more to do? Yes there is.

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  • Posted on 12.03.2019

    2018 in three words: The Copyright Directive

    For the SAA’s small team, working in the European House of Authors in Brussels, 2018 can be summed up in three words: the Copyright Directive.

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  • Posted on 07.03.2019

    When will the film industry pass the gender equality test?

    Half of all Hollywood blockbusters fail to pass the Bechdel test, including the entire Lord of the Rings trilogy, all Star Wars and all but one of the Harry Potter movies. One may think it is a simple test, but many films lack the requirements: two female characters who both have a name and talk to each other about something other than a man.

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  • Posted on 06.02.2019

    Broadcasting and retransmissions – from a bad proposal to a hopeful directive

    On 13 December 2018, the Council and the European Parliament reached a political agreement on the Broadcasting and Retransmissions Directive. This is a milestone for audiovisual authors to continue receiving royalties for the exploitation of their works included in TV programmes’ packages distributed all around Europe, whatever the technology used.

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  • Posted on 31.01.2019

    ‘This time I’m voting’ - for cultural diversity

    Brussels’ European quarter is getting ready for the elections on 23-26 May. Political parties are finalising their lists of candidates for the European Parliament and organisations and interest groups are designing campaigns to engage citizens to vote.

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  • Posted on 10.12.2018

    Op-ed: An EU Copyright law for the 21st century film and TV industry

    The EU Copyright Directive, which is currently being finalised by the Council and the European Parliament, must include a principle of fair and proportionate remuneration to be fit for the 21st century film and TV industry, writes Cécile Despringre.

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  • Posted on 23.11.2018

    How to exploit authors’ work without exploiting the author

    How can screenwriters and directors ensure their films have the chance to be viewed by as many as possible and at the same time get fairly and proportionately paid for the success? This was one out of many interesting discussions at the dinner during SAA's event in the European Parliament, called ‘One Day in Strasbourg’.

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