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  • Posté le 09.10.2019

    A la rencontre de nos membres: la SSA en Suisse

    En 2020, les cinéastes auront désormais en Suisse un droit à rémunération obligatoire et auquel il ne peut être renoncé, géré collectivement, pour l’exploitation de leurs œuvres par les services de vidéo à la demande.

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  • Posté le 30.09.2019

    Brussels EU quarters back to business

    Brussels European quarters are back to business: traffic jams, overpopulated coffee places and queues to pass security into the institutions. Inside the European Parliament, the last carpets are being laid and furniture assembled in the 751 offices.

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  • Posté le 26.08.2019

    Welcome back!

    On the 2nd of September, 751 Members of the European Parliament resumes their work. Before the summer break, the SAA had the chance to welcome a few and we look forward continuing to meet and present who we are and why European filmmakers should be a priority for the Parliament.

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  • Posté le 23.07.2019

    Interview with SAA's Director: The film industry and the online market

    As a part of the International Confederation of Societies of Authors and Composers (CISAC) open online course (MOOC), Cécile Despringre, SAA Executive Director was interviewed about creators’ remuneration, collective rights management, the film industry and the online market. 

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  • Posté le 02.07.2019

    Meet our member: Kopiosto in Finland

    On 1st July, Finland takes over the Presidency of the Council of the EU. Finland is the number one happiest country in the world, has 3 million saunas (more than they have cars) and Finns are the biggest coffee drinkers in the world (12kg per person per year). Kopiosto, the Finnish copyright organisation, has actively been promoting creative works for more than 40 years, and joined the SAA as a member in 2010.

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  • Posté le 25.06.2019

    Growing awareness of culture for development

    Culture contributes to 30 million jobs worldwide and represents around 3% of the world’s GDP (UNESCO). However, we are still far from policies that put creators at the centre of our booming creative industries and that understands their full potential and value in global development and cooperation.

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  • Posté le 22.05.2019

    Vote for culture - a catalyst for a better Europe

    In the coming days, through the elections, EU citizens will decide the fate of the new European Parliament. Many are pondering whom they should vote for, but culture is definitively not the decisive factor shaping public opinion.

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  • Posté le 09.05.2019

    3 ways the new European Parliament can support creators

    In a few weeks, EU citizens’ will elect a new European Parliament. Looking back, the Parliament has done a lot for directors and screenwriters in Europe, and one could ask: Is there anything more to do? Yes there is.

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  • Posté le 12.03.2019

    2018 in three words: The Copyright Directive

    For the SAA’s small team, working in the European House of Authorsin Brussels, 2018 can be summed up in three words: the Copyright Directive.

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  • Posté le 06.02.2019

    Broadcasting and retransmissions – from a bad proposal to a hopeful directive

    On 13 December 2018, the Council and the European Parliament reached a political agreement on the Broadcasting and Retransmissions Directive. This is a milestone for audiovisual authors to continue receiving royalties for the exploitation of their works included in TV programmes’ packages distributed all around Europe, whatever the technology used.

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  • Posté le 31.01.2019

    ‘This time I’m voting’ - for cultural diversity

    Brussels’ European quarter is getting ready for the elections on 23-26 May. Political parties are finalising their lists of candidates for the European Parliament and organisations and interest groups are designing campaigns to engage citizens to vote.

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  • Posté le 10.12.2018

    Op-ed: An EU Copyright law for the 21st century film and TV industry

    The EU Copyright Directive, which is currently being finalised by the Council and the European Parliament, must include a principle of fair and proportionate remuneration to be fit for the 21st century film and TV industry, writes Cécile Despringre.

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